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EUROPES The European Report
European Edition Saturday, 18 July 2026
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Tomorrowland 2026: live updatesHe Designs Shoes During the Week and Dominates Pro Ultramarathons on WeekendsUkraine-Russia war latest: ‘Seven killed’ in drone strike on warehouse of Russia’s largest online retailerNatalie Imbruglia: ‘I forget the words to my own songs on stage. You’d be surprised how few people notice’‘Maybe the best pumped-up sequel ever made’: James Cameron’s Aliens hits 40“We would just have done it balls out, legs akimbo like Status Quo. and probably messed it up”: The classic song that gave an iconic post-punk band their biggest hit – and became an epitaph for their tragic singer7 Airports That Are So Beautiful, They're Destinations ThemselvesMessi and Brady on 'prophetic' Lamine Yamal photos Tomorrowland 2026: live updatesHe Designs Shoes During the Week and Dominates Pro Ultramarathons on WeekendsUkraine-Russia war latest: ‘Seven killed’ in drone strike on warehouse of Russia’s largest online retailerNatalie Imbruglia: ‘I forget the words to my own songs on stage. You’d be surprised how few people notice’‘Maybe the best pumped-up sequel ever made’: James Cameron’s Aliens hits 40“We would just have done it balls out, legs akimbo like Status Quo. and probably messed it up”: The classic song that gave an iconic post-punk band their biggest hit – and became an epitaph for their tragic singer7 Airports That Are So Beautiful, They're Destinations ThemselvesMessi and Brady on 'prophetic' Lamine Yamal photos
Culture

Christopher Nolan’s Odyssey used occupied land as a film set. That feels like a betrayal | Mohamed Sleiman Labat

Christopher Nolan’s Odyssey used occupied land as a film set. That feels like a betrayal | Mohamed Sleiman Labat
Culture | The Guardian

The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment, helps erase our own brutal journey • Peter Bradshaw’s five star review • A classicist’s verdict The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco. In c

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