Shania Twain: Little Miss Twain review – rootsy revival strays from the dirt track to the middle of the road

(Republic Nashville) The country legend’s seventh album revisits her troubled early life but plays it safe with zany humour and fluffy songs about young love ‘When I was a kid, I started on stages just like this,” Shania Twain told the 200 fans sardined into a London pub back in June , trailing her seventh album Little Miss Twain. A reintroduction to the Canadian country legend, the record mines memories from her Ontario childhood for hints of the arena-filling star she would soon become. Over wistful Mellotron and pedal steel, the title track marvels at little Eilleen, as she was called back

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