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EUROPES The European Report
European Edition Wednesday, 22 July 2026
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Tomorrowland 2026: live updatesFast-moving wildfire forces hundreds of evacuations in southern FranceUkraine war briefing: Mykhailo Drapatyi takes over as Kyiv’s top commanderYoko Ono’s most famous performance art piece cuts both ways in Los Angeles"We were only a small spark on the Sunset Strip at first, but we became a wildfire." How an unlikely rock star led the psychedelic revolution that swept 60s CaliforniaDimension Capital’s $800M third fund shows the intersection of science and compute is booming"Here was Jimmy Page, waving like mad, and I'm thinking, 'I can't wave back or I'm going to blow the solo!'" How Jethro Tull took a difficult subject and created one of the all-time great prog anthems'I can't afford to turn the oven on': 7.4m households struggling to buy essentials Tomorrowland 2026: live updatesFast-moving wildfire forces hundreds of evacuations in southern FranceUkraine war briefing: Mykhailo Drapatyi takes over as Kyiv’s top commanderYoko Ono’s most famous performance art piece cuts both ways in Los Angeles"We were only a small spark on the Sunset Strip at first, but we became a wildfire." How an unlikely rock star led the psychedelic revolution that swept 60s CaliforniaDimension Capital’s $800M third fund shows the intersection of science and compute is booming"Here was Jimmy Page, waving like mad, and I'm thinking, 'I can't wave back or I'm going to blow the solo!'" How Jethro Tull took a difficult subject and created one of the all-time great prog anthems'I can't afford to turn the oven on': 7.4m households struggling to buy essentials
Culture

The Land and Its People by David Sedaris review – crankiness and charm

The Land and Its People by David Sedaris review – crankiness and charm
Culture | The Guardian

Sedaris plays up the curmudgeonliness in a collection that nevertheless entertains I’ll confess my heart sank slightly at the prospect of reading David Sedaris’s new volume of essays, some of them previously published in the New Yorker, and which, relative to his earlier output, strike me as increasingly shticky and reliant on anecdotes too thin for their weight. (From the essay Little America: “Few things drive me crazier than people who put their feet up on the furniture.”) After nine previous volumes, Sedaris would seem to be suffering from a problem that comes to all writers in the end, an

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