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EUROPES The European Report
European Edition Wednesday, 22 July 2026
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Tomorrowland 2026: live updatesFast-moving wildfire forces hundreds of evacuations in southern FranceUkraine war briefing: Mykhailo Drapatyi takes over as Kyiv’s top commanderYoko Ono’s most famous performance art piece cuts both ways in Los Angeles"We were only a small spark on the Sunset Strip at first, but we became a wildfire." How an unlikely rock star led the psychedelic revolution that swept 60s CaliforniaDimension Capital’s $800M third fund shows the intersection of science and compute is booming"Here was Jimmy Page, waving like mad, and I'm thinking, 'I can't wave back or I'm going to blow the solo!'" How Jethro Tull took a difficult subject and created one of the all-time great prog anthems'I can't afford to turn the oven on': 7.4m households struggling to buy essentials Tomorrowland 2026: live updatesFast-moving wildfire forces hundreds of evacuations in southern FranceUkraine war briefing: Mykhailo Drapatyi takes over as Kyiv’s top commanderYoko Ono’s most famous performance art piece cuts both ways in Los Angeles"We were only a small spark on the Sunset Strip at first, but we became a wildfire." How an unlikely rock star led the psychedelic revolution that swept 60s CaliforniaDimension Capital’s $800M third fund shows the intersection of science and compute is booming"Here was Jimmy Page, waving like mad, and I'm thinking, 'I can't wave back or I'm going to blow the solo!'" How Jethro Tull took a difficult subject and created one of the all-time great prog anthems'I can't afford to turn the oven on': 7.4m households struggling to buy essentials
Culture

The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more

The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more
Culture | The Guardian

Karlovy Vary film festival The film-maker and critic traces a decade of documentaries, from the fall of the Berlin Wall to Michael Moore, via Klaus Barbie and The Wombles The unmistakable film-making voice of documentary-maker and critic Mark Cousins is raised again, to educate, to intrigue, to challenge. His histories of the movies are invitations to a seance, a chance to participate in the kind of ecstatic trance or dream-state that Cousins himself goes into, almost free-associating from film to film but with an overarching but discreetly emphasised theme – or maybe motif – and always with s

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